Offscreen to the Right

Early animation tended to stay within the frame. In “Fantasia” and especially “Pinocchio,” Disney broke out of the frame, for example in the exciting sequence where Pinocchio and his father are expelled by the whale’s sneeze, then drawn back again, then expelled again. There is the palpable sense of Monstro the Whale, offscreen to the right.
— Roger Ebert

Read the full review. It's very good.